Marlena Shaw - Anthology [2LP]
A1 Woman Of The Ghetto 6:02
A2 California Soul 2:59
A3 Mercy Mercy Mercy 2:59
A4 Wade In The Water 3:32
B1 Liberation Conversation 2:03
B2 Loving You Was Like A Party 4:17
B3 The Feeling's Good 3:55
B4 So Far Away 4:00
C1 Feel Like Making Love 5:00
C2 Yu Ma/Go Away Little Boy 6:53
C3 Rhythm Of Love 3:46
C4 Without You In My Life 4:53
D1 Look At Me, Look At You (We're Flying) 4:01
D2 Back For More 4:06
D3 You Bring Out The Best In Me 4:40
D4 Could It Be You 5:30
Marlena Shaw (born Marlina Burgess, September 22, 1942, New Rochelle, New York, United States) is an American singer. Shaw began her singing career in the 1960s and is still singing today. Her music has often been sampled in hip hop music, and used in television commercials.
She was first introduced to music by her uncle Jimmy Burgess, a jazz trumpet player. In an interview with The New York Times, she told the reporter “He [Jimmy Burgess] introduced me to good music through records - Dizzy [Gillespie], Miles [Davis], a lot of gospel things, and Al Hibbler, who really knows how to phrase a song.” In 1952, Burgess brought her on stage at the Apollo Theater in Harlem to sing with his band. Shaw's mother did not want Marlena to go on tour with her uncle at such a young age. Instead, she enrolled Shaw into the New York State Teachers College in Potsdam (now known as the State University of New York at Potsdam) to study music. She later dropped out of school, got married, and had five children, but never gave up her singing career.
Shaw began to make singing appearances in jazz clubs whenever she could spare the time. The most notable of these appearances was in 1963 when she worked with jazz trumpeter Howard McGhee. She was supposed to play at the Newport Jazz Festival with McGhee and his band, but left the group after getting into an argument with one of the band members. Later that year, she got an audition with Columbia label talent scout John Hammond. Shaw did not perform well during the audition because she was too nervous. Undiscouraged, she continued to play small clubs until 1966. Her career took off in 1966 when she landed a gig with the Playboy Club chain in Chicago. It was through this gig that she met with representatives of the Chess Records music label, and soon signed with them. She released her first two albums on their subsidiary Cadet Records. A 1969 album track "California Soul" a pop-soul tune written by Ashford & Simpson and originally issued as a single by American pop quintet The Fifth Dimension later became a staple of the UK rare groove scene and following its use in a TV advert in the 2000s' is now her best known recording in the UK. Unable to find her own style at Chess, she moved to the jazz-oriented Blue Note Records in 1972.